Entries in review (17)

Tuesday
02Feb2010

Hellbilly Deluxe 2 Video Review

As a complement to the text review posted below, have a gander at this handy video review, which is essentially the same review as the text version, only read to you and sprinkled with spiffy audio clips so you can actually hear the music. Neat, huh?

Please let me know what you think of it. I'd be quite grateful.

Tuesday
02Feb2010

Hellbilly Deluxe 2 - Rob Zombie's Return to Form... Mostly

Okay, so Educated Horses sucked. Rob Zombie fans have had four years to come to terms with that. The stellar American Witch may go down next to Dragula as one of Zombie’s best moments, but it’s also the only memorable thing on the entire album.

Now Rob Zombie is back and he has the audacity to title his next work as a sequel to his most well-known album (if not his best, a title that belongs to The Sinister Urge). 

So is slapping a 2 on the end of Hellbilly Deluxe a blasphemous move or does it manage to channel the dreadlocked Zombie of old?

Click to read more ...

Thursday
17Dec2009

Dethklok's Dethalbum II is More Metal, Less Dethklok 

Dethalbum II is undoubtedly a great metal album.  

The riffs are both heavy and catchy.  The solos are intense.  The churning beats will have you unable to stop bobbing your head.  

What the album is not is a great Dethklok album.

Dethalbum II sounds to me like what might happen in Dethklok’s fictional universe if lead singer Nathan Explosion were to do a solo album.  The product wouldn’t fall too from from the Dethklok tree, but it would have its own spin to the sound and be, despite the similarities, distinctly un-Dethklok.

Not too unlike the solo album from Serj Tankien of System of a Down, as it happens.

The feeling I get upon listening to Dethalbum II is a little hard to explain.

Click to read more ...

Monday
14Dec2009

Wtichbreed's Heretic Rapture Different, Yet Still the Same

Heretic Rapture by Witchbreed is a fairly impressive debut disk on one hand and yet somehow unremarkable on another.

The fusion of metal with a female singer to add melody is hardly anything new in the music scene.  Nightwish, Within Temptation, Krypteria, and countless others have adopted this tactic and tried to put their own spin on it to stand out from the crowd.

Even though this is perhaps an overused trend and there is a veritable boatload of mediocre music released in this category, this is a trend I’m all for on the whole.  When done correctly, this fusion of melody and aggression can be simply captivating.  

Witchbreed doesn’t sound terribly original in concept, but in execution they actually manage to stand out from the crowd nicely.

Click to read more ...

Wednesday
02Dec2009

The Magic of Spirited Away

It is not every day that the experience of watching a movie can transport me beyond the structured confines of the plot and make me contemplate my own life. It is rarer still that the general sense of strong emotion that the movie provokes seems more important, more satisfying than the plot itself once all is said and done.

I experienced just such a movie when I watched Spirited Away.

What I found important was not the plot, the characters, or the setting. The movie’s true magic lies elsewhere. 

Somehow, if you let it, if you approach it with an open mind, Spirited Away manages to fill you with a sense of childlike wonder. It’s a fragile effect that would likely fall apart if you were to think about it too hard or try to analyze what, exactly, it is about the movie that manages to accomplish this wonderful feat, but the effect cannot be denied.

Watching the movie made me curious: why are such feelings so rare? Why have we allowed this state of mind to slip away from us, to be relegated to child’s play and the socially unacceptable fantasy worlds of those who haven’t properly “grown up”?

Clearly it’s not that only the young can experiences these feelings. Spirited Away left me with no doubt of that. I will admit that I had to battle my own sense of disbelief at the beginning of its tale. It took a good while for it to really draw me in. But once I did I was hooked. I was enveloped by it and felt a true sense of emptiness once the credits rolled and it was gone.  Like the mournful hours after a joyous celebration, I just wanted to go back to the good times that had somehow slipped away from me.

But what I missed was not the characters or the story or the world. What I wanted to go back to was not the classic “Alice falls down the rabbit hole” plot structure or dreamlike world.

What I wanted to go back to was that magical feeling of envelopment, of being in a different world. 

Some of my most cherished childhood memories are of creating such worlds for myself and for my friends. I think much of my interest in gaming and other forms of storytelling today might well be an attempt to recapture that feeling of being in another world. It doesn’t come close to those bygone days of youth, but I guess it’s the best socially acceptable outlet I have for seeking this type of fulfillment.

Frankly, that’s a problem.

Spirited Away reminded me how important such feelings are. Everyone needs to escape every once in a while. Everyone needs to build their own reality and live in it for a time. Real life can be a heck of a drag and it’s a damn shame that we treat imagination as such a leper, to be cast aside once we’ve entered adulthood.

Of course we must all face the sad truth that we have to grow up and enter the true world for ourselves someday, but we don’t have to leave a large part of ourselves behind in the transition. Child’s play shouldn’t just be left to the children.

Open up your mind, relax, and watch Spirited Away. See if you don’t agree with me by the time it’s over.