The once venerable SoulCalibur series has lost its way. The series that swept into prominance on Sega’s ill-fated white box, gloriously representing the downfall of arcades with its stunning presentation and packed feature set, has struggled to find its way in the modern era. After a sophomore success that many fans still see as its pinnacle, Namco produced two sequels that each failed to live up to their predecessors in their own unique way.
SoulCalibur V is evidence of a series continuing to struggle with a serious identity crisis, the roots of which were planted as far back as the beloved SoulCalibur II. The zenith of SoulCalibur’s popularity also saw the introduction of guest characters that, while seemingly innocuous at the time, signaled a marketing-driven tone that hinted at the difficulty Namco would face balancing its desire to sell more copies with the necessity of keeping the game relevant among the passionate niche of fighting game players that make up the tournament community. The clash between the hardcore zealots and the casual button mashers has long been at the core of the series’ problems.
SoulCalibur V wrestles these inner demons better than either of its two troubled predecessors. The obligatory guest character, Assassin’s Creed’s Ezio Auditore, fits SoulCalibur’s aesthetic and tone better than Namco’s own two bizarre newcomers, magic orb wielding Viola and pseudo werewolf Zwei. The gameplay is solid, with a well-balanced cast fighting with renewed enthusiasm thanks to the speed boost the combat has received. Solid ideas have been borrowed from other modern fighting games in the form of super moves and meter management. These won’t win points for originality, but they do more to change up the strategies and tactics of fights than anything in the series’ history since Soul Edge became SoulCalibur. SoulCalibur V feels fresh again.
They’ve had their moment in the spotlight. We’ve seen all there is to see of their current paradigm. I get it already, developers. Every female character is going to wear a slutty outfit. Schoolgirls in short skirts are fair game. Boobs are awesome. Violence is equally awesome. Long strings of complex commands completely unexplained by the game are the norm. Single player exists because it has to and is deserving of little to no focus.
I’m not saying the current state of fighting games is bad, I’m saying it’s time to move on.
JRPGs get a lot of crap for being stuck in the past. Everything about them is stagnant. From character designs to save systems to menus to combat, all aspects of modern JRPGs could have come from a decade ago with almost no change.
The only reason fighting games aren’t getting the same level of shit for the same problem is that they’re not as popular.
Every Soulcalibur game has meant a lot to me. Until recently, it was the only fighting game series I had ever gotten into. It was one of the titles I bought alongside my beloved Dreamcast on 9/9/99. I bought it on a whim because of a fantastic review score in Electronic Gaming Monthly. I had no idea whether I’d like it because I had never liked a fighting game before, but my gamble payed off and I’ve been playing it ever since.
Just as I’ve never been a huge fighting game fan, I’ve never been much of a multiplayer gamer either, but the Soulcalibur series has long been the exception to both of these rules. Wrapped up in the many tales of souls and swords I’ve encountered over the years across four games now are countless battles, painful wins and losses both, and many hours of honing my skills, trying new characters, and improving my game.
The most important aspect that these games have brought into my gaming life is the social element. Few of my friends are into fighting games and the genre usually isn’t worth the effort if you have no local competition to spar with. Here again Soulcalibur proved the exception. I’ve known many people that have enjoyed a quality bout of weapons-based combat and just about all of them have been well matched to my own skill. Winning a close match by that fraction of an inch against a good friend never fails to bring a smile to my face.
Some games have gotten recognition from me on this rather insignificant list because of how individually spectacular they are. There was something amazing or addictive or original about many of the games discussed so far that put them on a level above other products released this year.
Street Fighter IV gets the nod for another reason. Sure it’s a terrifically crafted, well-polished game, but the real reason it stood out to me in 2009 is because it marked the first time any fighting game other than my beloved Soulcalibur series had ever managed to truly hook me.
Despite the fact that I recently spent an ungodly sum of money on the best arcade stick on the market, I haven’t always liked fighting games.
In fact, I used to hate them.
Until quite recently, my relationship with them was very casual. Street Fighter IV marked only the second fighting game I’ve spent any notable amount of time with, and BlazBlue only the third. These two might have been enough to spur me into buying the aforementioned hulking arcade stick, but they don’t give me a lot of history with the genre.
There has been one fighting game series, however, that I’ve always adored. One series that has always stood above all the rest for me. One series that has kept calling me back and provided countless hours of entertainment over the years, playing against friends and the computer alike. One series that has challenged me to learn its every nuance when other fighting games simply bored me, frustrated me, or turned me away.
That series, of course, is the Soulcalibur series, and the first game launched along with the Dreamcast on 9/9/99.
I didn’t even like fighting games at the time. To this day I’m still not entirely sure what convinced me that trying out this particular fighting game was such a good idea. I hadn’t played it at anybody else’s house or tried a demo.
I had simply read a review in my beloved Electronic Gaming Monthly calling it, and I’m paraphrasing here, I freaking awesome game and I decided to give it a shot.
One thing that hasn’t changed about my gaming habits over the years is that I’ve never been much for spur-of-the-moment purchases. I do my research before handing over my money. I might have read reviews and seen screenshots beforehand with Soulcalibur, but this was about as close as I ever come to buying a game on a whim.
Boy am I glad I did.
Right away I realized that this game was somehow different from other fighting games. Or at least it felt that way to me.
I could pick up the controller and with amazingly little effort be doing really cool moves. In a short amount of time I felt like I actually had a hang of the fighting system; I felt like I actually sort of knew what I was doing. The default difficulty was even reasonable enough that I didn’t have to drastically dial it down just to survive.
It was my kind of fighting game.
I’ve never liked gaming experiences that are “realistic”. To this day I don’t like to play Madden as I’d rather be playing Mario Tennis. I don’t like to play Gran Turismo as I’d rather be playing Burnout. And I don’t like to play Virtua Fighter because I’d rather be playing Soulcalibur.
Something about the fantastical weapons-based fighting system managed to grab my attention where detail-oriented fighters with a realistic bent, such as Virtua Fighter, could never grab me for any length of time.
The original Soulcalibur is still one of the best entries in the series. The graphics have since been surpassed, but it’s hard to believe how good they still look. I don’t think any other game since has instilled in me quite the same amount of awe in me that seeing Soulcalibur running on the Dreamcast for the first time did. As much of a last stand as the Dreamcast was for traditional arcade titles in many ways (see Crazy Taxi, Daytona USA, Ooga Booga, and many others), it also signaled the beginning of the switch to console dominance. The Dreamcast version of Soulcalibur looked much better than the already highly-acclaimed arcade version and had a better feature set to boot.
Soulcalibur’s experience as a single player game was only rivaled by that of Soulcalibur II, but the original was definitely more memorable. The series has yet to do better than the Weapon Master mode for single player fun and the first game nailed the balance between difficulty and fun, while still throwing in a crazy amount of unlockable items.
The character creation mode of the newer games is great and I applaud their willingness to try new things with the single player experience, but the original game’s feature set is still, in some ways at least, the best. It may lack some of the bells and whistles and newer characters I’ve come to love, but it’s still damn fun.
Unimportant little extras abound and really add to the overall experience. There was tons of cool artwork to unlock. There was a mode where you could rearrange the characters in the opening sequence, a totally pointless but fantastic addition. There were modes that have since disappeared from the more recent installments for no explicable reason, like some of the team battle modes. It was a truly astounding package.
The newer games may have improved upon it in many ways, but no Soulcalibur game since has brought as much wonder to the table at once as the original.
I have this terrific game, this game I picked up from out of nowhere, this game that launched right along with the Dreamcast on day one, this game that has spawned a love of the series and fighting games in general to thank for many happy memories playing this game by myself and in countless heated matches with my friends.
…
Oh, and no announcer in any other Soulcalibur game can ever top the performance given by the guy in the first game. I don’t know why. It’s just the honest truth. Live with it.
Tue, December 4, 2012 at 4:58 PM 
;)
